In today’s world, herd mentality is a pervasive disease. It is a cowardly choice to surrender independent thought, opting instead to echo the comfortable consensus of the crowd or self-serving institutions whose biases are driven by group interest and institutional laziness. To follow the crowd without question is to behave like a puppet on strings, terrified of standing alone.
People often comfort themselves with the illusion that safety lies in numbers, believing that if a massive crowd or a prestigious institution proclaims something to be true, it must be so. But mob-driven consensus is rarely truth; it is emotional contagion driven by loud-mouthed leaders and unthinking repetition. Real truth, intellectual clarity, and authentic masterworks are never forged by the masses. They are preserved and upheld only by the solitary few—the independent sages who refuse to bow to false idols.
To expose how easily fame and institutional dogma can mislead the public, one need only look at the blind, uncritical worship surrounding Sonnet 18.
For centuries, society has swallowed this poem whole, accepting it as an untouchable axiom of romantic verse simply because the crowd decreed it so. Yet, when stripped of herd-induced reverence, the poem reveals profound flaws. It begins as an adoration of a muse, yet she vanishes after the opening couplet, swallowed up by a long, rambling discourse on weather and seasons, only for the poet to narcissistically conclude: "My poem grants you immortality."
In any era—East or West, past or present—no truly gallant man would address his lady with such self-absorbed vanity. Furthermore, the claim is entirely untruthful: how can the lady be immortalized when no one can tell who she is, what she looks like, or what she does? Not even a shadow of her presence remains in the lines.
If the immortal playwright were to stand in the Tribunal of Clarity today, he would look at this blind worship, pat us on the shoulder, and say with a knowing smile:
"You have seen through this little arrogant poem, written in a moment of fun in my younger days, which others now blindly worship as a masterpiece. How very ridiculous."
And our reply stands immutable:
"Oh incomparable playwright, I could have used some other authors, but I borrow Sonnet 18 to show you my respect—to expose the truth about the folly of echoing the crowd's noise, and to reveal that truth can be arrived at with solid reasoning and the clarity of an unbiased heart."
– Vuong Thanh (王青) – the Multicultural Lyrical Scholar-Poet
From Water–Moon World
October 20, 2026
Some excerpts above have been borrowed from the song, The Folly of Blind Echoes and Untruths, shown below.